Berlioz 150 - Benvenuto Cellini

To celebrate the Berlioz 150 anniversary, the Orchestre Révolutionnaire et Romantique and the Monteverdi Choir, led by John Eliot Gardiner, presented a tour of the composer’s first opera, Benvenuto Cellini.

Buy the DVD of our performance of Benvenuto Cellini at the Opéra royal, Château de Versailles Spectacles


BBC Proms - Monday 2 September

“Gardiner’s dazzling semi-staging, in tandem with the director Noa Naamat, is the finest performance of this problematic work I have seen… it was the crowd, in the shape of Gardiner’s Monteverdi Choir, who swept all before them, throwing confetti in the Roman Carnival scene and pretending to work bellows in the furnace to cover the appearance of the statue (Duncan Meadows). This was ‘semi-staging’ as elaborate and effective as I have ever seen it at the Proms.”
Hugh Canning The Sunday Times - click here to read the full review

“The Monteverdi Choir sounded thrilling… It was impossible not to be swept away.”
Tim Ashley ★★★★★ The Guardian - click here to read the full review

“This performance could not have been more alive… the most visually alive prom of the season.”
David Nice ★★★★★ The Arts Desk - click here to read the full review

“A Benvenuto Cellini of unfailing gusto from John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique at the Proms.”
Rupert Christiansen ★★★★ The Telegraph - click here to read the full review

“The chorus was knockout… To hear it brilliantly articulated at breakneck speed by a jiving, swaying choir was jaw-dropping.”
Richard Morrison ★★★★ The Times - click here to read the full review

“Choir and orchestra were unsurpassed.”
Fiona Maddocks ★★★★ The Observer - click here to read the full review

“This performance unleashed a torrent of musical exuberance and rhythmic vitality.”
Curtis Rogers ★★★★★ Classical Source - click here to read the full review

“Best of all were the high energy antics of The Monteverdi Choir, racing around the stage, dispatching the complex choruses with élan.”
Mark Pullinger ★★★★ Bachtrack - click here to read the full review

“Sir John Eliot Gardiner leads a Berlioz performance of awe-inspiring scope at the Proms.”
Colin Clarke – Seen and Heard International - click here to read the full review

Berliner Festpiele - Saturday 31 August

“The surprising evening with nearly 200 minutes of play, almost as if in flight, will be remembered as a light and joyful revelation.”

“The audience seemed to be out of control with excitement and witnessed a true celebration of the old but eternally young Gardiner and his master troopers.”
Andre Sokolowski – der Freitag - click here to read the full review

Festival Berlioz, La Côte-Saint-André - Thursday 29 August

“[A]n impeccable musical and vocal performance… The Monteverdi Choir is absolutely remarkable.”
François Jestin ★★★★ Bachtrack - click here to read the full review

“The venue was transformed into a place of carnival celebration.”
Vojin Jaglicic – Ôlyrix - click here to read the full review


Michael Spyres - Benvenuto Cellini
Sophia Burgos - Teresa
Maurizio Muraro - Giacomo Balducci
Tareq Nazmi - Pope Clement VII
Lionel Lhote - Fieramosca
Adèle Charvet - Ascanio
Vincent Delhoume - Francesco
Ashley Riches - Bernardino
Duncan Meadows - Perseus

The Orchestre Révolutionnaire et Romantique’s five-year commitment to the music of Hector Berlioz – which has seen them showcase varied programmes of the composer’s works across Europe and the United States, and at the BBC Proms over the past four consecutive years – culminated in 2019 by marking the 150th anniversary of Berlioz’s death. In the summer, the ORR and the Monteverdi Choir performed a series of staged concerts of Berlioz’s first opera, in what were the first modern performances of the piece on period instruments.

The series opened in Berlioz’s home town: La Côte-Saint-André, before heading to two of Europe’s most prestigious music festivals: the Berliner Festspiele and London’s BBC Proms. The tour then returned to France for a finale at the Opéra Royal, Versailles.

Rarely performed today, Benvenuto Cellini received its premiere on 10 September 1838 at the Académie Royale de Musique. The libretto for this opera was inspired by the memoirs of the eponymous 16th-century Florentine sculptor, and was jointly written by Léon de Wailly, Auguste Barbier, and Alfred de Vigny. The score of the work exists in three main versions, and for the 2019 performances John Eliot Gardiner has selected parts of all three, incorporating part of Berlioz’s initial score before the rehearsals in 1838; the version with changes made during the first production; and the revised version created by Berlioz for the Weimar revival of 1852, conducted by Franz Liszt.

To read a synopsis of Benvenuto Cellini, click here.

Benvenuto Cellini the opera has so much going for it – ravishing music, a cast of three-dimensional characters, a gripping plot, love interest, a murder, a riotous carnival scene, phenomenal choruses and a spine-chilling dénouement: Cellini, having eloped with the delectable Teresa, and in danger of his life, agrees to a Papal commission to cast a statue of Perseus, but runs out of time and metal sufficient to feed the furnace. In a moment of desperation, he orders his workers to throw every single art work in his studio into the cauldron. Up until the final bars it is touch and go whether he will pull off this desperado act to save his statue or whether the mould will crack and blow it to smithereens.
John Eliot Gardiner


Festival Berlioz, La Côte-St-André
Thursday 29 August 2019

Berliner Festspiele, Berlin
Saturday 31 August 2019

BBC Proms - Royal Albert Hall, London
Monday 2 September 2019

Opéra Royal, Palace of Versailles
Sunday 8 September 2019