Fri 3 Jul, 5.00pm
Symphony No. 8: A tribute to Haydn, Beethoven Symphony films, Online
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Composed hot on the heels of the Seventh Symphony, Beethoven’s Symphony No. 8 in F major is often seen as glancing backwards to 18th-century models. In this instalment of our Beethoven Symphonies series, John Eliot Gardiner shares his insights on a piece which pays tribute to Joseph Haydn, but is also peppered with surprises. The discussion is accompanied by exclusive footage of the Orchestre Révolutionnaire et Romantique in rehearsals for our Beethoven Symphony Cycle.
Directed and edited by Richard Wilson. Produced by Bill Lloyd & Richard Wilson. Director of Photography, Benjamin Ealovega. Concert footage courtesy of the Corporació Catalana de Mitjans Audiovisuals and the Palau de la Música Catalana, Barcelona.
Our live recording of Beethoven’s Symphony No. 8, taken from a performance at London’s Cadogan Hall in 2013, is available to purchase from the MCO shop by clicking here.
About the series
In May, the Orchestre Révolutionnaire et Romantique and John Eliot Gardiner should have been performing Beethoven’s complete symphonies at the Barbican Hall in London. This cycle was part of an international tour celebrating both Beethoven’s 250th anniversary and the 30th birthday of the ORR. We were lucky enough to be able to complete three cycles – in Barcelona, New York and Chicago – before the pandemic put a stop to all concerts. To give you a flavour of this monumental project, we will be releasing a nine-part series of films where John Eliot Gardiner will give his thoughts on Beethoven’s musical mind, and the orchestra will be seen rehearsing the symphonies.
Beethoven’s process of composition meant wrestling not just with beauty and emotion but also with political and humanitarian themes. During these uncertain times, perhaps more than any other composer, he gives us a feeling of triumph over adversity. The symphonies express Beethoven’s own bravery in the face of personal problems and these documentaries capture John Eliot Gardiner and the ORR tackling the music with a mixture of scholarship, energy, imagination and a complete devotion to Beethoven’s miraculous vision.