Tue 19 Nov, 7.30pm
Teatro Positivo, Curitiba, Brazil
English Baroque Soloists
John Eliot Gardiner - conductor
Monteverdi Messa a 4 voci da cappella
Purcell Hear my prayer, O Lord
Purcell Jehova, quam multi sunt hostes
D. Scarlatti Stabat mater
Three Italian choral masterpieces showcase the virtuosity of Monteverdi Choir, and highlight the changing musical styles in Italy in the 17th and early 18th centuries. Monteverdi’s final setting of the mass, written while he was maestro di cappella of St Mark’s in Venice in the first half of the 17th century, mixes the older polyphonic style with more declamatory passages. Carissimi’s Jephte, a miniature sacred musical drama written in the middle of the 17th century, uses an almost operatic style of solo writing alongside meltingly beautiful choruses to tell the Old Testament story of Jephtha, the Israelite leader forced to sacrifice his own daughter. Domenico Scarlatti’s 10-voice Stabat mater, composed in the early years of the 18th century, combines the old-fashioned polyphonic choral style with a passionate rhetoric, in a graphic depiction of Christ’s crucifixion with all the intensity of a Bernini sculpture or a Caravaggio tableau.
Two pieces by Purcell reveal Italianate influence on the English composer: in the 8-voice Hear my prayer, O Lord the harmonies become ever more extraordinary in a crescendo of supplication to God; while Jehova, quam multi sunt hostes (an exceptional setting of a Latin text in Purcell’s oeuvre) features an almost Monteverdian declamatory style.
This tour of choral masterpieces takes the Monteverdi ensembles across Europe and South America, performing their inaugural concerts in Russia, Slovakia, Brazil, Uruguay, Argentina and Chile.