Monteverdi 450 at the V&A - 15 DEC

Following the Monteverdi Choir & Orchestras' triumphant international Monteverdi 450 tour it has just been announced that a final concert will take place in the Raphael Cartoons Gallery at the Victoria & Albert Museum on Friday 15 December.

Sir John Eliot Gardiner, English Baroque Soloists, Monteverdi Choir and a cast of international soloists will perform highlights from this hugely successful tour as part of the V&A’s Opera: Passion, Power and Politics exhibition.

This final performance will take place as part of the 'V&A's Lates' programme on 15 December.

PLEASE NOTE: Due to phenomenal demand seated tickets for the concert on 15 Dec are now SOLD OUT. There will be 100 additional standing tickets available on the day - more information here.

MONTEVERDI 450 at the V&A on Friday 15 December 2017
Concert to include highlights from the Monteverdi Trilogy: L’Orfeo, Il ritorno d’Ulisse in patria, L’incoronazione di Poppea and other Monteverdi favourites.

Monteverdi Choir
English Baroque Soloists
Sir John Eliot Gardiner -  conductor

Soloists: Francesca Boncompagni, Silvia Frigato, Francesca Biliotti, Reginald Mobley, Marianna Pizzolato, Carlo Vistoli, Francisco Fernández-Rueda, Gareth Treseder, Robert Burt, Furio Zanasi, Krystian Adam
Due to phenomenal demand seated tickets for our #Monteverdi450 at the @V_and_A concert on 15 Dec are now sold out. There will be additional standing tickets available on the day
Two MCO London Events Announced
In conclusion of a very successful year with our Monteverdi 450 anniversary celebrations across Europe and US. we are thrilled to announce two very special London events in November and December.


apprecntices lowres

At 6pm on Sunday 26 November, the 2016-17 Monteverdi Apprentices will mark the end of their current association with us in their final concert, taking place at The Warehouse, Waterloo. Led by mentors from our orchestras, this intimate chamber recital will include music by Bach, Brahms, Mendelssohn and Schubert and promises to be a fitting send-off to the eight young musicians whose artistic development we have nurtured over the previous twelve months. The 90-minute performance will be followed by a drinks reception at 7.30pm.

Click here to watch a short video about the Monteverdi Apprentices Programme:
Click here to find out more about the Monteverdi Apprentices Programme

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ORR lowres

On Friday 1 December at Morley College, the Orchestre Révolutionnaire et Romantique, conducted by Sir John Eliot Gardiner, will present a short private performance of three seminal string quartets by Schubert, Ravel and Webern, arranged for full string orchestra. Due to the all-encompassing nature of the Monteverdi 450 project, this will be the only chance to hear the ORR outside of their memorable appearance at the BBC Proms this calendar year, and is also a unique opportunity to enjoy a triptych of rarely-performed works delivered with the renowned authenticity associated with Monteverdi Choir & Orchestras.

Augmented by the Monteverdi Apprentices, who will be joining the ORR for the very last time, all three pieces will be studiously workshopped over the preceding two days under the watchful baton of Sir John Eliot Gardiner: the final performance promises to be a dizzying exploration of the possibilities of string repertoire of the nineteenth and twentieth centuries.

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Berlin Musikfest 2017 - Monteverdi 450 Trilogy Reviews
website review
© Carolina Rodenda

L'Orfeo, 2nd September

Bachtrack ★★★★ by Jens Klier 

'The English baroque soloists, whose ritornellos moulded themselves to the mood and intensity of the respective atmospheres... formed the most finely tuned patterns for this theatre.'

Il Ritorno D’Ulisse in Patria, 3rd September 

Bachtrack ★★★★ by Jens Klier 

'The English Baroque Soloists draw out the intimacy and fervor which are so inherent in the piece and are so impressive'

L'incoronazione di Poppea, 5th September

Bachtrack ★★★★ by Jens Klier 

'The drama came to the forefront with Gardiner and his Monteverdis, especially because of the Basso Continuo of the English Baroque Soloists...who showed desibrable effervescence and emotional pleasure in order to support the intense emotions (of the music) and to give them a harmonious, colorful representation'

Stage and Screen by Sascha Krieger 

'Then the orchestral sound suddenly becomes quite delicate, the space is immensely intimate. This applies, of course, to the breathtaking final duet, but also for the duet of the lovers some scenes before'

Lucerne Festival, Switzerland - Reviews
© Peter Fischli

L'Orfeo, 22nd August

Der Bund by Susanne Kübler

'John Eliot Gardiner stops on his Monteverdi tour at the Lucerne Festival, with an almost too-beautiful Orfeo.'

Rivista Musica by Luca Segala

'Two hours of pure emotion distilled with wisdom, technical expertise and above all the ability to grasp all the finesse of expressive writing to the highest degree’

Il Ritorno D’Ulisse in Patria, 25th August 

Neue Zurcher Zeitung by Jürg Huber 

'Musically all wishes are fulfilled [...]'

'elegant and free-flowing.' 

'The English Baroque soloists succeeded in captivating the intimate passages.

L’incoronazione di Poppea, 27th August

Financial Times ★★★★ by David Kettle

'...a performance of scrupulous authenticity and expressive power'

General Reviews

The Guardian by Fiona Maddocks

'The rapport between voices and ensemble resulted in performances of electrifying intimacy. The instrumentalists deserve several paragraphs of their own. Rich with the dark-light colours (think aural Caravaggio) of lutes, theorbos, harp, dulcian, harp and more, their agile playing supported the drama with a restless repertoire of whispers, dissonant groans, sighs, outbursts and exclamations. '

Mendelssohn: Hymn of Praise (LSO Live) in Classical Source

Classical Source, August 2017 
★★★★★ by Antony Hodgson

 'lucid, superbly sung'

'...the widely spread, powerful choir is accompanied by well-detailed orchestral sound' 

'Sir John Eliot...plays it lightly and rhythmically in an almost dance-like manner'

Edinburgh International Festival, Usher Hall - Reviews

L'Orfeo, 14th August

Herald Scotland ★★★★★ by Keith Bruce

'Yet another extraordinary evening of opera in the Usher Hall [...] Gardiner and his superb international cast then deliver the goods, with consummate style.'

Il ritorno d’Ulisse in patria, 15th August

The Scotsman ★★★★ by Susan Nickalls 

'The English Baroque Soloists were in fine fettle'

Herald Scotland ★★★★★ by Keith Bruce 

'...the moments of unaccompanied singing from various ensembles and songs like the duet of Ulisse and the faithful Eumete (Francisco Fernandez-Rueda) were quite exquisite.'

L’incoronazione di Poppea, 17th August

The Scotsman ★★★★★ by David Kettle

'And the musicians produced a gloriously rich, supple tapestry of sound, alive to the singers’ caressing lines. Gardiner had an exemplary cast, too'

General Reviews

The Scottish Daily Mail by Tom Kyle

'The entire production was superbly marshalled by Gardiner himself. [...] This really is the sort of thing for which we have an International Festival.'

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